that's what i want

With infidelity - to spouses and to offices - so currently en vogue on the relatively crazier side of the political aisle, one would think the bumblers running the right-wing brain churn would refrain for a moment from the sanctimony they last rubbed raw in the 90s. Not so. When a G8 photo op appeared to show Obama leering at a young girl passing him on the steps, the slumbering grotesques down at Fam'ly Values PD jolted awake (having been alerted by their crack Schadenfreude detail, who have slept in shifts since January).

Perhaps the most embarrassing reaction was that of Ann Althouse, who strung together some pseudo deconstructobabble in a sad attempt to explain Obama's "moment of as-yet-unconstrained pursuit".

The foot closest to the woman, like Sarkozy's, is planted and aimed forward, but the other steps off in the direction of the woman, bending the knee upward into a bit of a crotch-squeeze and forming the base of a dramatic tilt of the entire body into a flexible S-shape that leans toward the woman. ... His neck is craned out and around so that the line of sight is directly at the ass. His mouth is open as if to say: That's what I want.

The video, naturally, absolves Obama in a way in which only Obama could be absolved: not only was he not ogling, he was waiting up to offer another woman a hand. No word from Althouse on what vertices of Obama's torso bent into "crotch squeezes" during this sequence of events. In fact, faced with the video, she sticks to her guns, standing by her "analysis" of the photograph. In a later post, she stubbornly refuses to accept the Zapruder film, preferring to stick to her analysis of the still photograph that shows Jackie killing JFK with a mental deathray.

In their expert dissection of a dossier of soldier's photography from Abu Ghraib, Errol Morris and Philip Gourevitch point up an essential truth about pictures serving in a political context: "The picture transfixes us because it looks like the truth, but, looking at it, we can only imagine what that truth is." Unsure of the truth, we fall back on the crutches of familiar narrative tropes. One blogger referred to the supposed gawking as Obama's first "Clinton moment", that spasm borne of some peculiarly Democratic tendency to womanize. (He failed to mention the incident in which GWBush, unbidden, placed his actual hands on a female head of state; perhaps it slipped his mind.) Sarkozy was in on the ogling too, naturally, for, as anyone who takes their cultural cues from decades-old cartoons knows, that's just the way the French are.

The irony in all this, in case it isn't obvious, is that in pretending to take up the burden of objectified women, all these scolds have truly done is focused the attention of millions on this underage girl's posterior. I could go on pontificating about how the anonymous, faceless female form has long been the blank slate on which the Western male gaze projects its desires, but....it seems that this photograph has already inspired far too much armchair analysis.

time out of joint

Grand Watchmaker - and New York Times' Holiday Party "Roundest Glasses on Staff" award winner, 8 years running - David Brooks uncorks this magical statement to open his latest column:

Sonia Sotomayor had bad timing. If she’d entered college in the late-1950s or early-1960s, she would have been surrounded by an ethos that encouraged smart young ethnic kids to assimilate. If she’d entered Princeton and Yale in the 1980s, her ethnicity and gender would have been mildly interesting traits among the many she might possibly possess.

Were this a blog in which I posted topical photographs, I'm sure I could come up with a number of photos capturing "young ethnic kids" in the late 1950s "surrounded by an ethos". The Little Rock 9, for example. I'm sure Ms. Sotomayor worries herself to sleep each night, wondering just how different her life would have been we're she brought up in this encouraging era.

Unfortunately, Brooks gives up the game of Choose Your Own Adventure as the column goes on. We don't get to find out what would have become of Sotomayor were she transplanted, say, Twain-like, into 6th century Britain. Would she have adopted such empathetic notions about the sub-human plight of dragons? He doesn't hazard a guess.

He does make another point, though. Multiculturalism = yucky. If only America could have skipped from the 50s, when Latina women thrived at Harvard and Yale, apparently, to the 80s, when all race-, gender- and class-based oppression ceased entirely to exist, slayed ceremoniously by a dragon. Problem solved, and none of that enforced reading of African authors that goes on in public schools to this day.

And surely there's no need for multiculturalism in our society still today. Those who decry Sotomayor's icky "patina" have clearly got the differences between Buddhists, Asians and Hispanics allllll figured out.

i was born in kowloon bay!

Obama has them swooning at a journalist roundtable after his Cairo speech, and there's something familiar in his ability to hit all the right notes, all the time.

"I would be surprised if when I came to Asia I did not stop by my old home town of Jakarta. And I'll go visit Menteng Dalam and have some bakso -- nasi goreng. These are some special dishes here that I used to eat when I was a kid."

Ah, now I get it. He's the Rob Lowe character from Wayne's World.

running a fever while waiting for my war to end

In America, a culture of forgetting has developed not merely out of the usual avenues of repression, censorship, and distraction; its a forgetfulness of the refresh button (or F5, depending on your platform). Much is made of the internet's rising tide of information; raising all boats, elevating discourse, metastasizing policy debates, and so on. It has also had the effect of burying the recent past, and eliminating the spaces where we would perform reflections on and resolutions toward our hideous deeds.

I am pushed towards this reflection by the Croatian writer Slavenka Drakulic's essay "Why I have not returned to Belgrade," published in the Serbian newspaper Publika in late February to considerable controversy. In it, she ponders the responsibility for the Serbian people to confront their complicity in the state's brutal repression of Bosnian Muslims and Kosovars of the late 90s, and ultimately, if hesitantly, places this burden upon the current generation of Serbian youth. While they are not the torturers and collaborators who performed the deeds of the 90s wars, it is they who must take their parents to task, and they who will bear the brunt of the global community's scorn until some demons are properly exorcised. Drakulic, a Croat who nonetheless identifies with a fragile pan-Yugo consciousness borne, possibly, from years of emigre life in occidental Europe, has faced vigorous criticism from the usual suspects: nationalists who conclude that Serbia must just not be for her, and tell her to keep away.

Their refrain is familiar; let the guilty parties find their punishment, the rest of us will move on. While it's lazy to simply relate the Balkan wars of the 90s to the recently laid-off War on Terror, the post-war situation in both Serbia and America has a few parallels. The War on Terror's central premise, that the American way of life was under assault, is a foundling version of the culture of Serb victimhood, nurtured since the 14th century. Both have some roots in justification but have been wildly manipulated by war-making zealots, both have employed the notion of the preservation of a society as the excuse for the destruction of another.

The greatest danger, Drakulic warns, is that we will resist the lessons afforded by these violent adventures, and indeed, this appears to be unfolding today. Despite the accepted wisdom that the Iraq War was botched in its initial execution, we have allowed the redemptive rhetoric of the Surge to paper over the fact that many urban areas in Iraq are either still held hostage by sectarian conflict or subject to the false pacification of ethnic cleansing. That the war has seen the deaths of nearly 100,000 Iraqis and displaced nearly 5 Million refugees, is underacknowledged into oblivion; the numbers, like bailout figures, simply too large to comprehend. Rather than an honest conversation about the perils of nation building when our own nation is in such rough shape, rather than frank remonstrances against the conflation of noble pursuits abroad with those of empire, and rather than a thorough accounting of the torture policies knowingly adopted by the previous administration, we have instead a new official dialogue on Afghanistan that looks frighteningly similar to the incrementalism of CPA-era Iraq, and endless handwringing over torture memos. Obama's pragmatism is certainly refreshing, but it is not enough to replace a regime that bumbled into quagmires with malign intentions, with one that does the same thing under the auspices of humanitarianism.

The election of Barack Obama was said to have heralded some moment of newness, when our nation's political death sentence would be commuted. It was to be a splash of cold water on the faces of our media elites, a warning that a considerable portion of the populace had acquainted themselves with harsher realities. We were ready to face down the bad news. We no longer had any use for the "let us look forward, not backward" platitudes, or for the condescension from those well-heeled Bush enablers, content for so many years to flout the law, now hiding behind its sacred obligations. It's not clear, unfortunately, that this new position has won out.

mottled in the cosmos

Opening to any randomly chosen page in Tom McCarthy's Remainder is sufficient to capture the novel's excruciatingly pristine depiction of the resonant spaces that dwell in daily life. Following an accident our narrator cannot recall (and a settlement, the details of which he cannot disclose), he goes about methodically re-enacting minor events, repeatedly staging the ephemeral experiences normally catalogued in one's subconscious throughout a day's routine.

My building was in there, being carried along somewhere in the complex interlacings. I caught glimpses of it as it slipped behind another building and was whisked away again to reappear somewhere else. It would show itself to me then slip away again. The belts were like magicians' fingers shuffling cards: they were shuffling the city, flashing my card, my building, at me and then burying it in the deck again. They were challenging me to shout "Stop!" at the exact moment it was showing: if I could do that, I'd win. That was the deal. 

"Stop!" I shouted. Then again: "Stop ...Stop!" But I timed each shout just wrong...

What the novel works at, with its formless protagonist honing in further on these unseen machinations of the urban fabric, is the continuing effort to shout Stop! at just the right moment. He worries at tokens of the ineffable until they are well-worn: small talk with a neighbor in the hall, a pianist neighbor making a mistake, then slowly playing through again, the smell of cooking fat wafting through a window. It is only when these events recur with a certain singular exactitude that our man can feel any pleasure, but this pleasure is pure.

This plot conceit would be a tiresome meddling under the hood of the postmodern psyche were it not for McCarthy's rendering of the protagonist as something of a reborn child. As he recovers from his accident, we watch him enduring physical therapy, relearning actions as simple as eating a carrot as a series of micro-moments; muscles clutch and release, joints tense and flex, limbs move through air. Seemingly scrubbed clean of any self-consciousness, our man experiences these coordinations free of their typical context. He is an outside observer in his own body. As he moves out of the clinic and into the outside world, he continues in this way, acutely aware of everyone around him putting on airs, going through their inauthentic movements. 

But he does not stop here, at this intersection of Sartre's phenomenology of dread, Gombrowicz's playful repurposing of the inanimate,  and the alien body capture narrative of sci-fi. Our man's fixations deepen, his re-enactments incite stronger reveries, he becomes ever more demanding and insistent on his actors getting certain details just right. As Zadie Smith puts it, he "seeks to dominate matter, the better to disembody it." His mind unable, or unwilling, to associate the objects he sees with their everyday usage, they instead become infused with a portentousness. A crack in a plaster wall becomes an evolving cipher, a map; a bit of parking lot tar which cannot be destroyed; a liter of windshield fluid, which, upon disappearing inside his car, becomes a metaphor for transubstantiation; a carpet's wrinkle becomes the axis on which an entire room rotates. Normally heavily relied on by most novelists to supply meanings, people are, on the other hand, interchangeable. Some are so insignificant as to be little more than space occupiers; they are told to say nothing, and wear blank masks. They are hired and arranged, then replaced, or worse.

i hold you like a gun

When the TV has not been commandeered for the purposes of Thomas the Tank Engine, I do my best to put myself off my coffee by watching as many slivers of the Sunday talk shows as I can, sandwiched as they are between golf tourney promos and pharmaceutical ads. It's never been clear to me what the true import these shows have for their audience; they're a holdover, I suppose, from a time in which the political cognoscenti weren't brined in the blogosphere at every possible moment, but rather waited, with some civility, until the Sabbath day to settle the week's scores. They now are little more than an ongoing case study in circular obsequiousness; the hosts forever gracious for their granted access, feigning probity and smiling at each deflection; the guests caffeinated and taciturn, folding their hands across the armrests of an imaginary throne. It's here that SecDef Robert Gates, his presence disturbing not even the particles in the air, can blithely describe the difference between Presidents Bush and Obama as one being "slightly more analytical" than the other, even taking as bold a step as to contrast their methods in calling on colleagues in meetings (the limits of televised discourse being what they are, he did not make it to the wild deviation in the two men's middle names, or that they prefer different aftershaves). Host David Gregory, knowing when to say when, winced into a smile, his furrowed brow and dimpled cheeks forming a sad oval.

And then there is Fox News, in a class by themselves as far as wallering in an invented reality goes. After inviting on a Republican and a Republican to discuss the Obama budget, it was on to the panel for a rousing civics salon. Brit Hume, the basset-toned analyst who has been making A-Rod money since the Clinton era, railed against the normalization of the tax code like a NoDoz'd freshman scribbling a paper on Atlas Shrugged. "I often feel that liberals would rather have everybody equally poor rather than unequally rich." Unequally rich. A coinage so pithy, and yet so vast as to contain the whole world. Hume - apparently unaware that there are people out there who eat cat food, families whose dinner consists of cans of spaghettios, people who would take a bite out of Brit Hume's ass if it came to it - went on to demur that the more equally rich affected by the new plan will just duck the reforms by stashing money in tax shelters and buying gold anyway. How he knew this, he didn't say, but good on him to explain to the rest of us the rules of the game. This discussion had all been for show.

you want it to be one way

"Exiled Dallas Stars' forward Sean Avery is expected to be cleared from the NHL and NHLPA's Behavioral Modification program later this week or sometime early next."

I was going to write about the ongoing absurdity that is the NHL's unwavering effort to scrub any life - unpredictable, troubling, trangressively hilarious - from it's off-ice theatre, but then this was brought to my attention. I suppose the two stories are somehow linked by what I see as one of the defining themes of modern capitalism: the mechanized deceptions of the market sublimated in the simple language of personal responsibility. It's rare that a 21st century organization would be so honest as to use the phrase "behavioral modification" to describe their means of attracting profits, but that is undoubtedly what is afoot when a BoA representative asked Paul Kelleher of his deceased mother's debts: "You mean you're not going to help her out?"

For a year or so, I was a Bank of America customer. For many years after that, I was their prey. Years later, at a Chicago-area bank, I ran into similar problems while trying to skate by, paycheck-to-paycheck. With overdraft fees piling up due to the bank's convenient policy of re-ordering withdrawals, I called the bank to beg for mercy. After talks with the service rep went nowhere, I was transferred to a manager, who proceeded to lecture me about the importance of keeping tabs on my balance at all times. I protested that these fees were the result of their willful manipulation of my account, which resulted in even more condescending blather from the manager. We're charging you these fees, she seemed to be saying, to teach you a lesson, to show you how to be a better, more responsible person. Every word she said was designed to disguise the simple fact that mistakes like mine are her company's bottom line.

We're conditioned to see institutions like banks as monolithic, neutral arbiters of human activity. Experiences like Kelleher's, surely compounded by the thousands in call centers worldwide, bear out exactly how completely and utterly wrong this is. Banks wield this kind of biopower effortlessly, rigging the unseen details of the game while hectoring us about right and wrong. If it were Bank of America's mother, surely it would pay off the debt. We're led to feel shame about these kinds of defaults, as if they are true faults. Everyone else is watching their balance, paying their debts, why can't you? The irony being that, when Bank of America itself took its eye off the ledger last fall, it felt no shame. Just the opposite, in fact. It marshaled the dire straits of the economy in its favor: as just another way to guilt average Americans into cutting them more checks.